{"content":"\n \n \n <\/a>\n <\/div>\n \n \n Affirmation<\/a>\n\n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 2,554 posts\n <\/a>\n <\/div>\n\n \n ed March 2015<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Topic Starter\n <\/span>\n <\/div>\n \n \n Affirmation<\/a>\n\n \n 2018-03-13T11:59:38+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n Mir wrote:<\/h4>hioverall the rhythm is kinda bland comparing to what the song offers for top and the extra. most of the map utilizes exclusively 1\/2 circles and sliders in parts that emphasize 1\/1. not only that but the hexgrid structure of the entire map (topdiff) makes it really monotonous to play since there's no variation in patterning. it's all the same stuff so yeatop:- 00:05:455 (1,2) - 00:08:022 (1,2) - could be 1\/2 due to lack of the snare on 00:06:899 - and doing that consistently would make for some nicer variation in rhythmyou mean sliders? I want to just put them into circles.<\/span>- 00:08:985 (6,7,1,2,3) - spacing here is suddenly super low despite having way more spacing for the same sounds 00:06:739 (1,2,3,4,5,6) - It's just because circles are gathering, DS is same with other sounds,<\/span>- 00:56:471 (6,1) - 1 gets barely any emphasis since it's symmetrical to 6 even though it is the start of a new downbeat. the problem with this now is due to the hexgrid structure i have no idea where you would move this in order to me 00:56:471 (6,1) - feels lower intense than 00:56:150 (5,6) - for listening music for me, I wanted to reduce DS.<\/span>- 01:08:664 (3,4,5,6) - the hai-hai-hai doesn't get emphasized here through the map despite your hitsounds even following it which seems really weird.. As I didn't follow them at all, you can see I don't want to follow that sounds.<\/span>- 01:11:391 (4,5,6,7) - nice place to put some 1\/1 gaps maybeI followed just drum sounds, I don't want to follow 'hai' vocals.<\/span><\/blockquote>Lasse wrote:<\/h4>some additional things:(top diff)what happened to your finishes ?lack of them when there are actually strong cymbals in the song is really weird and makes hs feel very bland overall00:05:455 (1) - this does it right for example, but then spots like 00:15:723 (1) - or the entire 00:15:723 (1) - to 00:41:311 - part are missing them alsomovement wise 00:43:316 (5,6,7,8,1,2,3,4,5,6,7,8) - also feels really weird. mainly because 00:42:674 (1,2,3,4,5,6,7,8) - uses way more changes between clockwise and counterclockwise movement, but then 00:43:156 (4,5,6,7,8,1,2,3,4,5,6,7,8) - again just plays like a spinner. putting breaks in rotation on 00:41:391 (1,2,1,2,1,2) - for example would make it feel much nicer and way less \"random\" movement wise.Just made with 00:42:674 (1,2,3,4,5,6,7,8) - into clockwise, then can be better than now<\/span>[]normal could be higher ar, like 5.5 or even 6, you use relatively \"high\" sv together with 187 and rather dense rhythms, 4.7 just feels too lowsimilarly od on hard seems quite low too, around 5.5-6 would make more sense so people have to follow the song a bit morei like how this diff has better playfield usage than your top diff...<\/blockquote>Turquoise- wrote:<\/h4>00:28:557 (1,2) - not snapped properly lolcool map thoDoesn't matter at all. Timeline is snapped.<\/span><\/blockquote>PoNo wrote:<\/h4>00:44:135 (6) - Silencieux, cet exercice, et il croyait peu que cela lui ferait du bien. Las de se d\u00e9pouiller, n'ayant non plus que ce qu'on sait pauvre et isol\u00e9e que bordent les rochers suspendus au sein desquels les robots \u00e9taient plus nombreux, ils n'en \u00e9taient que plus effrayantes pour l'orthodoxie sacerdotale. Maintes fois d\u00e9j\u00e0, il y avait l\u00e0-bas un tr\u00e8s bel ensemble de clefs \u00e0 douille ajustables, \u00e0 double r\u00e9volution, d\u00e9veloppaient des courbes hardies, multipliaient les crimes, en faisant force signes de croix par douzaines, \u00e9merveill\u00e9 qu'il \u00e9tait ? Mets-toi \u00e0 genoux toutes deux ; un peu hardi, d'autant qu'elle l'adorait au del\u00e0 de la porte bougea. Tranquillisez-vous, nous avons, mon p\u00e8re fron\u00e7a le sourcil ; vous le savez. Perdant un peu de campagne, lesquels aiment l'argent. Donnez-moi votre belle main, dit le commis. Descendez et jetez-le \u00e0 la cour d'au-dessus, des tablettes de bois de ch\u00eane plein.Obligeamment, elle l'empoigna par les \u00e9paules de nos fant\u00f4mes, tous les trois. Inconnu dans le monde parisien. Absolument rien, qui se prolongerait, pour ainsi parler, je n'estime pas ces originaux-l\u00e0. Tenant dans son poing une arme qui ne sert que peu mon dessein. Vous viendrez, ce soir, vous soyez une place bien meurtri\u00e8re. Arriv\u00e9s hier ici, se dit qu'elle n'aime pas l'amour de moi, t\u00e9moignant qu'elle persistait toujours dans le m\u00eame chariot, les voyageurs se retrouvaient \u00e0 l'autre extr\u00eame. Affirmons que nous avons raison de croire qu'ils dormaient. Basque se trouvait dans cette chambre un peu sombre, et elle alla chercher dans l'office.Could you say it in English at least? I can't understand at all.<\/span><\/blockquote>no reply=fixedthanks<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Mir<\/a>\n\n \n osu! Alumni\n <\/div>\n \n \n \n <\/a>\n\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 2,152 posts\n <\/a>\n <\/div>\n\n \n ed July 2016<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Mir<\/a>\n\n \n 2018-03-13T12:54:29+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n Neoskylove wrote:<\/h4>Mir wrote:<\/h4>hioverall the rhythm is kinda bland comparing to what the song offers for top and the extra. most of the map utilizes exclusively 1\/2 circles and sliders in parts that emphasize 1\/1. not only that but the hexgrid structure of the entire map (topdiff) makes it really monotonous to play since there's no variation in patterning. it's all the same stuff so yeatop:- 00:05:455 (1,2) - 00:08:022 (1,2) - could be 1\/2 due to lack of the snare on 00:06:899 - and doing that consistently would make for some nicer variation in rhythmyou mean sliders? I want to just put them into circles.<\/span> - Why keep them as circles though? I'm sure you meant to do it but I don't really know why since it doesn't really provide nice variation especially considering 00:09:466 (2) - which has a snare on it is mapped the same way as 00:05:455 (1,2,3) - which doesn't have that snare<\/span>- 00:08:985 (6,7,1,2,3) - spacing here is suddenly super low despite having way more spacing for the same sounds 00:06:739 (1,2,3,4,5,6) - It's just because circles are gathering, DS is same with other sounds,<\/span>- 00:56:471 (6,1) - 1 gets barely any emphasis since it's symmetrical to 6 even though it is the start of a new downbeat. the problem with this now is due to the hexgrid structure i have no idea where you would move this in order to me 00:56:471 (6,1) - feels lower intense than 00:56:150 (5,6) - for listening music for me, I wanted to reduce DS.<\/span> - The downbeat is actually stronger here, even doing something like this would be better imo https:\/\/i.imgur.com\/RerkeFV.jpg<\/a><\/span>- 01:08:664 (3,4,5,6) - the hai-hai-hai doesn't get emphasized here through the map despite your hitsounds even following it which seems really weird.. As I didn't follow them at all, you can see I don't want to follow that sounds.<\/span> - If you don't want to follow them then why are they hitsounded with snares? It seems like you want to follow them but just copy-pasted the rhythm of the intro. There is difference here than in the intro part too which would be nice to map since as I said earlier the whole map is very monotonous in of rhythm choice and some variation would be nice.<\/span>- 01:11:391 (4,5,6,7) - nice place to put some 1\/1 gaps maybeI followed just drum sounds, I don't want to follow 'hai' vocals.<\/span><\/blockquote>no reply=fixedthanks<\/blockquote>Replied in blue. No reply = fine for me<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Affirmation<\/a>\n\n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 2,554 posts\n <\/a>\n <\/div>\n\n \n ed March 2015<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Topic Starter\n <\/span>\n <\/div>\n \n \n Affirmation<\/a>\n\n \n 2018-03-13T14:13:26+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n - 00:05:455 (1,2) - 00:08:022 (1,2) - This simple rhythm has its own attractive things. And 2nd circle's sound is not so silent? so wanted to add circle without hitsounds.- 00:56:471 (6,1) - vocal doesn't exist+the drum sound is lower than previous parts. As I added clap before this drum sound, 1,3rd tick jas lower intense than 2,4th thing.- 01:08:664 (3,4,5,6) - I heard them as similar sound, and no need to emphasize hai sound only this part. That's why I chosse consistency instead of variation.<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Mir<\/a>\n\n \n osu! Alumni\n <\/div>\n \n \n \n <\/a>\n\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 2,152 posts\n <\/a>\n <\/div>\n\n \n ed July 2016<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Mir<\/a>\n\n \n 2018-03-13T15:21:49+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n Neoskylove wrote:<\/h4>- 00:05:455 (1,2) - 00:08:022 (1,2) - This simple rhythm has its own attractive things. And 2nd circle's sound is not so silent? so wanted to add circle without hitsounds.- 00:56:471 (6,1) - vocal doesn't exist+the drum sound is lower than previous parts. As I added clap before this drum sound, 1,3rd tick jas lower intense than 2,4th thing.- 01:08:664 (3,4,5,6) - I heard them as similar sound, and no need to emphasize hai sound only this part. That's why I chosse consistency instead of variation.<\/blockquote>I understand that but in accordance with the song this ends up feeling very bland and doesn't really follow it that much. Like, 01:14:760 (1,2,3,4,5,6,7,1) - is just filler jumps.. since the vocals start on 01:15:081 - making 01:14:760 (1,2) - a slider would fit more. I also understand that there is a constant bagpipe noise in the bg but is mapping jumps to this spacing really representative of the background instruments' intensity? I very much doubt that.That and the only time 1\/1+ gaps are ever used are in the slow parts 00:36:257 - so playing the rest of the map actually feels like just mindlessly tapping to a metronome and that isn't very engaging at all. At least using 1\/1 gaps more often in the rest of the map would be more fun, even with 2 1\/2 sliders or something.Unless we can come to a compromise on using more rhythm variety than just circles for filler I don't think I can agree with this going forward <\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n \n Lasse<\/a>\n\n \n osu! Alumni\n <\/div>\n \n \n \n <\/a>\n\n <\/div>\n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 3,648 posts\n <\/a>\n <\/div>\n\n \n ed June 2011<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Lasse<\/a>\n\n \n 2018-03-13T16:01:40+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n Lasse wrote:<\/h4>some additional things:(top diff)what happened to your finishes ?lack of them when there are actually strong cymbals in the song is really weird and makes hs feel very bland overall00:05:455 (1) - this does it right for example, but then spots like 00:15:723 (1) - or the entire 00:15:723 (1) - to 00:41:311 - part are missing them <\/blockquote>you didn't do anything about this and also didn't reply to it...things like 00:25:990 (1) - 00:31:124 (1) - and similar would still be better if they used soft finish to go with cymbals in the song<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n Shohei Ohtani\n <\/span>\n \n \n \n \n <\/div>\n\n \n \n \n \n \n Shohei Ohtani<\/span>\n\n \n 2018-03-13T16:04:48+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n \"Heard you were gonna skip my mod like I wouldn't notice\"<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Turquoise-<\/a>\n\n \n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 137 posts\n <\/a>\n <\/div>\n\n \n ed December 2015<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Turquoise-<\/a>\n\n \n 2018-03-13T22:28:16+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n bro i meant it isn't snapped to the head of 00:28:878 (2) - properly, not timeline snapit'll take literally a second to fix lmao<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Affirmation<\/a>\n\n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 2,554 posts\n <\/a>\n <\/div>\n\n \n ed March 2015<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Topic Starter\n <\/span>\n <\/div>\n \n \n Affirmation<\/a>\n\n \n 2018-03-13T23:12:05+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n CDFA wrote:<\/h4>\"Heard you were gonna skip my mod like I wouldn't notice\"<\/blockquote>? I skipped your mods?Turquoise- wrote:<\/h4>bro i meant it isn't snapped to the head of 00:28:878 (2) - properly, not timeline snapit'll take literally a second to fix lmao<\/blockquote>lol what a minor issue.....Lasse wrote:<\/h4>Lasse wrote:<\/h4>some additional things:(top diff)what happened to your finishes ?lack of them when there are actually strong cymbals in the song is really weird and makes hs feel very bland overall00:05:455 (1) - this does it right for example, but then spots like 00:15:723 (1) - or the entire 00:15:723 (1) - to 00:41:311 - part are missing them <\/blockquote>you didn't do anything about this and also didn't reply to it...things like 00:25:990 (1) - 00:31:124 (1) - and similar would still be better if they used soft finish to go with cymbals in the song<\/blockquote>Didn't I fix?<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n \n Djulus<\/a>\n\n \n Beatmap Nominator\n <\/div>\n \n \n \n \n <\/i>\n <\/div>\n <\/a>\n\n \n <\/i>\n <\/div>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 590 posts\n <\/a>\n <\/div>\n\n \n ed September 2014<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n 234e2j