{"content":"\n \n \n <\/a>\n <\/div>\n \n \n Battle<\/a>\n\n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 2,865 posts\n <\/a>\n <\/div>\n\n \n ed February 2014<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Battle<\/a>\n\n \n 2018-03-13T00:03:05+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n <\/span>M<\/a>Mir wrote:<\/h4>hibattle:- 00:14:760 (3,1,2,1,2,1) - would recommend emphasizing the hai-hai-hai like you did with 00:09:626 (3,4,5) - instead of going for jumps since the song puts way more emphasis on those Changed the initial two circles into a slider so that way the hai-hai is the ones with circles, which makes more sense now since that's kinda what the start stuff is focused on<\/span>- 00:30:963 (7) - delet maybe for nicer 1\/1 gap to break the constant 1\/2 rhythm? the vocal here feels a lot less ive than the vocal of the previous, similar music thing from before, so I decided to use a circle (main reason i had pauses in previous rhythms was because it felt like it had a distinct stop)<\/span>- 00:45:241 (1,2,3) - intensity decreases a little suddenly here but the song is still building up? for the most part, all the like guitar and stuff that is contributing to the build up does die out by a fair bit when it gets to the 1\/1 slider, to go along with that decrease in intensity for the main instrument, I decided to do a simpler, less dense rhythm<\/span>- 00:51:498 (7) - could delete or make 6 a 1\/2 slider instead since this note is kinda overmapped For the most part, the chorus is fairly fast paced, filler rhythm accompanied by hitsounds makes it seem less jarring and out of place in this case, at least I think so<\/span>- 00:58:717 (3,4) - not sure why this is 1\/2 when the emphasis is on the 1\/1.. this applies for a lot of the map tbh I mean a lot of the cases there's places where there's both a guitar and drum sound stressed around where i have 00:58:717 (3) - and 00:59:038 (5) - currently, in addition the vocals feel more intense where they are, hence why I use a smaller jump for 4 to set up a larger jump, making the last part of the vocal verse feel a bit more emphasized (3 isn't emphasized nearly as much as 5 because the vocals are still going, while for 5 the vocals take a brief pause on the 1\/2 red tick) so yeah<\/span>the pp jump section... is a little bland but it's not all that bad. i won't say make pp jumps but buffing it a bit more would be nice imo buffed i guess<\/span>that's all i have for the top and battle's diff. hope you can consider some of this stuff!!<\/blockquote><\/div><\/div>I'm pretty sure we're just paying attention to different things in music, for me I just mostly focus on whatever is loudest since I'm not to good at picking up bg beats in songs most of the time, so ye<\/span>a<\/a>osu file format v14[General]AudioFilename: audio.mp3AudioLeadIn: 0PreviewTime: 46525Countdown: 0SampleSet: SoftStackLeniency: 0.7Mode: 0LetterboxInBreaks: 0WidescreenStoryboard: 0[Editor]DistanceSpacing: 1.4BeatDivisor: 2GridSize: 4TimelineZoom: 1.8[Metadata]Title:Blade DanceTitleUnicode:\u7cbe\u970a\u5263\u821e\u796dArtist:Ni-SokkususuArtistUnicode:\u306b\u30fc\u305d\u3063\u304f\u3059\u3059Creator:NeoskyloveVersion:Battle's ExtraSource:\u7cbe\u970a\u4f7f\u3044\u306e\u5263\u821eTags:Seirei Tsukai no Blade Dance Ending TV Size bladedance of elementalers anime Ibuki Kido Kana Yuuki Shizuka Ishigami Saori Oonishi Ai Kakuma \u7cbe\u970a\u5263\u821e\u796d\uff1c\u30d6\u30ec\u30a4\u30c9\u30c0\u30f3\u30b9\uff1e Battle Irohas Djulus mugiwarasekaiBeatmapID:1454948BeatmapSetID:680533[Difficulty]HPDrainRate:6CircleSize:3.7OverallDifficulty:8.5ApproachRate:9.2SliderMultiplier:1.7SliderTickRate:1[Events]\/\/Background and Video events0,0,\"BG.jpg\",0,0Video,0,\"Video.avi\"\/\/Break Periods\/\/Storyboard Layer 0 (Background)\/\/Storyboard Layer 1 (Fail)\/\/Storyboard Layer 2 ()\/\/Storyboard Layer 3 (Foreground)\/\/Storyboard Sound 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4,1:3:0:0:266,213,85188,1,0,0:0:0:0:213,55,85348,2,0,P|231:113|240:145,1,85,8|0,0:0|0:0,0:0:0:0:168,236,85669,1,4,1:3:0:0:168,236,85830,1,0,0:0:0:0:115,78,85990,2,0,P|133:136|142:168,1,85,8|0,0:0|0:0,0:0:0:0:45,149,86311,5,0,1:0:0:0:234,174,86471,1,4,0:3:0:0:87,333,86632,1,4,0:0:0:0:139,159,86792,1,4,0:3:0:0:309,367,86953,1,4,0:0:0:0:157,255,87113,1,4,0:3:0:0:440,153,87273,1,4,0:0:0:0:<\/pre><\/div><\/div><\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Myxo<\/a>\n\n \n osu! Alumni\n <\/div>\n \n \n \n <\/a>\n\n <\/div>\n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 3,103 posts\n <\/a>\n <\/div>\n\n \n ed December 2012<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Myxo<\/a>\n\n \n 2018-03-13T11:14:16+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n Disqualified, to allow those changes to be made.<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Affirmation<\/a>\n\n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 2,554 posts\n <\/a>\n <\/div>\n\n \n ed March 2015<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Topic Starter\n <\/span>\n <\/div>\n \n \n Affirmation<\/a>\n\n \n 2018-03-13T11:59:38+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n Mir wrote:<\/h4>hioverall the rhythm is kinda bland comparing to what the song offers for top and the extra. most of the map utilizes exclusively 1\/2 circles and sliders in parts that emphasize 1\/1. not only that but the hexgrid structure of the entire map (topdiff) makes it really monotonous to play since there's no variation in patterning. it's all the same stuff so yeatop:- 00:05:455 (1,2) - 00:08:022 (1,2) - could be 1\/2 due to lack of the snare on 00:06:899 - and doing that consistently would make for some nicer variation in rhythmyou mean sliders? I want to just put them into circles.<\/span>- 00:08:985 (6,7,1,2,3) - spacing here is suddenly super low despite having way more spacing for the same sounds 00:06:739 (1,2,3,4,5,6) - It's just because circles are gathering, DS is same with other sounds,<\/span>- 00:56:471 (6,1) - 1 gets barely any emphasis since it's symmetrical to 6 even though it is the start of a new downbeat. the problem with this now is due to the hexgrid structure i have no idea where you would move this in order to me 00:56:471 (6,1) - feels lower intense than 00:56:150 (5,6) - for listening music for me, I wanted to reduce DS.<\/span>- 01:08:664 (3,4,5,6) - the hai-hai-hai doesn't get emphasized here through the map despite your hitsounds even following it which seems really weird.. As I didn't follow them at all, you can see I don't want to follow that sounds.<\/span>- 01:11:391 (4,5,6,7) - nice place to put some 1\/1 gaps maybeI followed just drum sounds, I don't want to follow 'hai' vocals.<\/span><\/blockquote>Lasse wrote:<\/h4>some additional things:(top diff)what happened to your finishes ?lack of them when there are actually strong cymbals in the song is really weird and makes hs feel very bland overall00:05:455 (1) - this does it right for example, but then spots like 00:15:723 (1) - or the entire 00:15:723 (1) - to 00:41:311 - part are missing them alsomovement wise 00:43:316 (5,6,7,8,1,2,3,4,5,6,7,8) - also feels really weird. mainly because 00:42:674 (1,2,3,4,5,6,7,8) - uses way more changes between clockwise and counterclockwise movement, but then 00:43:156 (4,5,6,7,8,1,2,3,4,5,6,7,8) - again just plays like a spinner. putting breaks in rotation on 00:41:391 (1,2,1,2,1,2) - for example would make it feel much nicer and way less \"random\" movement wise.Just made with 00:42:674 (1,2,3,4,5,6,7,8) - into clockwise, then can be better than now<\/span>[]normal could be higher ar, like 5.5 or even 6, you use relatively \"high\" sv together with 187 and rather dense rhythms, 4.7 just feels too lowsimilarly od on hard seems quite low too, around 5.5-6 would make more sense so people have to follow the song a bit morei like how this diff has better playfield usage than your top diff...<\/blockquote>Turquoise- wrote:<\/h4>00:28:557 (1,2) - not snapped properly lolcool map thoDoesn't matter at all. Timeline is snapped.<\/span><\/blockquote>PoNo wrote:<\/h4>00:44:135 (6) - Silencieux, cet exercice, et il croyait peu que cela lui ferait du bien. Las de se d\u00e9pouiller, n'ayant non plus que ce qu'on sait pauvre et isol\u00e9e que bordent les rochers suspendus au sein desquels les robots \u00e9taient plus nombreux, ils n'en \u00e9taient que plus effrayantes pour l'orthodoxie sacerdotale. Maintes fois d\u00e9j\u00e0, il y avait l\u00e0-bas un tr\u00e8s bel ensemble de clefs \u00e0 douille ajustables, \u00e0 double r\u00e9volution, d\u00e9veloppaient des courbes hardies, multipliaient les crimes, en faisant force signes de croix par douzaines, \u00e9merveill\u00e9 qu'il \u00e9tait ? Mets-toi \u00e0 genoux toutes deux ; un peu hardi, d'autant qu'elle l'adorait au del\u00e0 de la porte bougea. Tranquillisez-vous, nous avons, mon p\u00e8re fron\u00e7a le sourcil ; vous le savez. Perdant un peu de campagne, lesquels aiment l'argent. Donnez-moi votre belle main, dit le commis. Descendez et jetez-le \u00e0 la cour d'au-dessus, des tablettes de bois de ch\u00eane plein.Obligeamment, elle l'empoigna par les \u00e9paules de nos fant\u00f4mes, tous les trois. Inconnu dans le monde parisien. Absolument rien, qui se prolongerait, pour ainsi parler, je n'estime pas ces originaux-l\u00e0. Tenant dans son poing une arme qui ne sert que peu mon dessein. Vous viendrez, ce soir, vous soyez une place bien meurtri\u00e8re. Arriv\u00e9s hier ici, se dit qu'elle n'aime pas l'amour de moi, t\u00e9moignant qu'elle persistait toujours dans le m\u00eame chariot, les voyageurs se retrouvaient \u00e0 l'autre extr\u00eame. Affirmons que nous avons raison de croire qu'ils dormaient. Basque se trouvait dans cette chambre un peu sombre, et elle alla chercher dans l'office.Could you say it in English at least? I can't understand at all.<\/span><\/blockquote>no reply=fixedthanks<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Mir<\/a>\n\n \n osu! Alumni\n <\/div>\n \n \n \n <\/a>\n\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 2,152 posts\n <\/a>\n <\/div>\n\n \n ed July 2016<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Mir<\/a>\n\n \n 2018-03-13T12:54:29+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n Neoskylove wrote:<\/h4>Mir wrote:<\/h4>hioverall the rhythm is kinda bland comparing to what the song offers for top and the extra. most of the map utilizes exclusively 1\/2 circles and sliders in parts that emphasize 1\/1. not only that but the hexgrid structure of the entire map (topdiff) makes it really monotonous to play since there's no variation in patterning. it's all the same stuff so yeatop:- 00:05:455 (1,2) - 00:08:022 (1,2) - could be 1\/2 due to lack of the snare on 00:06:899 - and doing that consistently would make for some nicer variation in rhythmyou mean sliders? I want to just put them into circles.<\/span> - Why keep them as circles though? I'm sure you meant to do it but I don't really know why since it doesn't really provide nice variation especially considering 00:09:466 (2) - which has a snare on it is mapped the same way as 00:05:455 (1,2,3) - which doesn't have that snare<\/span>- 00:08:985 (6,7,1,2,3) - spacing here is suddenly super low despite having way more spacing for the same sounds 00:06:739 (1,2,3,4,5,6) - It's just because circles are gathering, DS is same with other sounds,<\/span>- 00:56:471 (6,1) - 1 gets barely any emphasis since it's symmetrical to 6 even though it is the start of a new downbeat. the problem with this now is due to the hexgrid structure i have no idea where you would move this in order to me 00:56:471 (6,1) - feels lower intense than 00:56:150 (5,6) - for listening music for me, I wanted to reduce DS.<\/span> - The downbeat is actually stronger here, even doing something like this would be better imo https:\/\/i.imgur.com\/RerkeFV.jpg<\/a><\/span>- 01:08:664 (3,4,5,6) - the hai-hai-hai doesn't get emphasized here through the map despite your hitsounds even following it which seems really weird.. As I didn't follow them at all, you can see I don't want to follow that sounds.<\/span> - If you don't want to follow them then why are they hitsounded with snares? It seems like you want to follow them but just copy-pasted the rhythm of the intro. There is difference here than in the intro part too which would be nice to map since as I said earlier the whole map is very monotonous in of rhythm choice and some variation would be nice.<\/span>- 01:11:391 (4,5,6,7) - nice place to put some 1\/1 gaps maybeI followed just drum sounds, I don't want to follow 'hai' vocals.<\/span><\/blockquote>no reply=fixedthanks<\/blockquote>Replied in blue. No reply = fine for me<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Affirmation<\/a>\n\n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 2,554 posts\n <\/a>\n <\/div>\n\n \n ed March 2015<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Topic Starter\n <\/span>\n <\/div>\n \n \n Affirmation<\/a>\n\n \n 2018-03-13T14:13:26+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n - 00:05:455 (1,2) - 00:08:022 (1,2) - This simple rhythm has its own attractive things. And 2nd circle's sound is not so silent? so wanted to add circle without hitsounds.- 00:56:471 (6,1) - vocal doesn't exist+the drum sound is lower than previous parts. As I added clap before this drum sound, 1,3rd tick jas lower intense than 2,4th thing.- 01:08:664 (3,4,5,6) - I heard them as similar sound, and no need to emphasize hai sound only this part. That's why I chosse consistency instead of variation.<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Mir<\/a>\n\n \n osu! Alumni\n <\/div>\n \n \n \n <\/a>\n\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 2,152 posts\n <\/a>\n <\/div>\n\n \n ed July 2016<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Mir<\/a>\n\n \n 2018-03-13T15:21:49+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n Neoskylove wrote:<\/h4>- 00:05:455 (1,2) - 00:08:022 (1,2) - This simple rhythm has its own attractive things. And 2nd circle's sound is not so silent? so wanted to add circle without hitsounds.- 00:56:471 (6,1) - vocal doesn't exist+the drum sound is lower than previous parts. As I added clap before this drum sound, 1,3rd tick jas lower intense than 2,4th thing.- 01:08:664 (3,4,5,6) - I heard them as similar sound, and no need to emphasize hai sound only this part. That's why I chosse consistency instead of variation.<\/blockquote>I understand that but in accordance with the song this ends up feeling very bland and doesn't really follow it that much. Like, 01:14:760 (1,2,3,4,5,6,7,1) - is just filler jumps.. since the vocals start on 01:15:081 - making 01:14:760 (1,2) - a slider would fit more. I also understand that there is a constant bagpipe noise in the bg but is mapping jumps to this spacing really representative of the background instruments' intensity? I very much doubt that.That and the only time 1\/1+ gaps are ever used are in the slow parts 00:36:257 - so playing the rest of the map actually feels like just mindlessly tapping to a metronome and that isn't very engaging at all. At least using 1\/1 gaps more often in the rest of the map would be more fun, even with 2 1\/2 sliders or something.Unless we can come to a compromise on using more rhythm variety than just circles for filler I don't think I can agree with this going forward <\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n \n Lasse<\/a>\n\n \n osu! Alumni\n <\/div>\n \n \n \n <\/a>\n\n <\/div>\n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 3,648 posts\n <\/a>\n <\/div>\n\n \n ed June 2011<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Lasse<\/a>\n\n \n 2018-03-13T16:01:40+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n Lasse wrote:<\/h4>some additional things:(top diff)what happened to your finishes ?lack of them when there are actually strong cymbals in the song is really weird and makes hs feel very bland overall00:05:455 (1) - this does it right for example, but then spots like 00:15:723 (1) - or the entire 00:15:723 (1) - to 00:41:311 - part are missing them <\/blockquote>you didn't do anything about this and also didn't reply to it...things like 00:25:990 (1) - 00:31:124 (1) - and similar would still be better if they used soft finish to go with cymbals in the song<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n Shohei Ohtani\n <\/span>\n \n \n \n \n <\/div>\n\n \n \n \n \n \n Shohei Ohtani<\/span>\n\n \n 2018-03-13T16:04:48+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n \"Heard you were gonna skip my mod like I wouldn't notice\"<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n <\/div>\n \n \n \n <\/a>\n <\/div>\n \n \n Turquoise-<\/a>\n\n \n \n \n \n \n <\/span>\n <\/a>\n <\/div>\n \n \n \n 137 posts\n <\/a>\n <\/div>\n\n \n ed December 2015<\/strong>\n <\/div>\n <\/div>\n\n \n \n \n \n \n Turquoise-<\/a>\n\n \n 2018-03-13T22:28:16+00:00<\/time>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n \n \n 17131t